Together with Midori's money-loving best friend Sayaka Kanamori, the energetic trio start the "Eizouken" club and slowly work towards making their "greatest world" a reality. Post was not sent - check your email addresses! You can really feel this team’s love for animation in its every frame, and I hope Science Saru continue to articulate that love for many years to come.Click to email this to a friend (Opens in new window) Asakusa and Kanamori are busy fitting the name of their studio above the club door, even though they’re still working out of a rusting shed with holes in the walls. Her entire explanation regarding the original nature of the city, and its decline into two warring sides, is conveyed through a series of largely still diagramsGorgeous water animation as this craft sinks to the bottom of the bay. Asakusa has taught us a great deal about creative inspiration and storytelling, Mizusaki has illustrated the finer points of animation itself, and Kanamori has consistently tempered her friends’ ambitions with reminders of the fiscal limitations and other compromises inherent in film production. Imperfect products can be apologized for; breaking all of your professional promises is unacceptableWhile Kanamori says she’s calling the DVD printers to negotiate, it’s clear she’s actually calling some other ally – presumably the treasurer?Aaand yep, we cut straight from OP to Kanamori choking Asakusa out. Well, Mizusaki and Asakusa “bound” – Kanamori just sorta trudges forward while making a phone callKanamori attacks the video production club’s barricade with a goddamn circular saw. It has been serialized in Shogakukan's seinen manga magazine Monthly Big Comic Spirits since 2016 and has been collected in five tankōbon volumes as of January 2020. Lanky Deadpan Business Queen: Kanamori Sayaka Highlights - Eizouken ni wa Te wo Dasu na! She poured her heart and soul into that dance scene, and created it to perfectly match a specific tone and tempo. (Keep Your Hands Off Eizouken!) They are treated as neither a strangeness to be “fixed” nor a fragility to be intensely coddled – that’s just the way she is, and her friends know and accept thatKanamori then puts a bag over Mizusaki’s head, to “heighten the mystery of the production,” as she explains it. As someone with pretty profound social anxiety myself, I really appreciate Eizouken’s even-handed approach to Asakusa’s feelings. [Anime Title] Honey’s Anime Pickup, OkiOkiPanic. 8:00 AM April 30, 2020. We normally just see the anime-focused elements, but it’s a market that encompasses far more than that, as we see things like quilts and books of photographs also on saleAsakusa is too exhausted to feel either anxious or excited about selling their film, which absolutely scans. Keep Your Hands Off Eizouken! The use of the koi, the strange music, the way their repeated footage actually emphasizes the tragedy of this situation – they did a very good jobJust like when she and Mizusaki first teamed up, Asakusa’s perpetually inspired imagination is tied to staring out through her window into a larger worldAnd sure, why not just finish on an impossibly ambitious pan backwards through like fifty layers of moving sceneryWhoooo, what a RUSH that show was! A live-action film adaptation was announced on October 15, 2019. These girls better appreciate what a good producer they haveEizouken’s giving us a refreshingly broad perspective on Comiket. This soundtrack makes this conflict feel tragic and inevitable, rather than momentary and thrillingDamn, this cockpit sequence is so good. Episode 3. Back to the crisis!“You received this email two weeks ago. (Japanese: 映像研には手を出すな！, Hepburn: Eizōken ni wa Te o Dasu na!) Wonderful faces hereI love how as we get further into the production process, the cuts we see as Asakusa explains her plan are closer and closer to fully painted and animated. particularly climactic, though. Let’s settle in one more time for Keep Your Hands Off Eizouken!Even the episode thumbnail is Asakusa hiding under a folding chair.